It just didnвЂ™t really come through as much as it did on this record and the songs that we wrote. Jack comes from a place where blues are really prevalent in his guitar playing. I think thatвЂ™s something David Bendeth pulled out of me something our band pulled together while in the studio. I havenвЂ™t really had a chance to do that with this band until this album. I started off doing acoustic music, and I have other projects that IвЂ™ve done in the past where I experimented with more of that sound. I just explored it a little bit more this time around. I think itвЂ™s a direction thatвЂ™s always been there for me. There is a more soulful sound this time around. I think youвЂ™re expected to go for radio when you start with a major label, but it didnвЂ™t really feel like that at all. One of the biggest pieces of advice Benji, our manager, gave us before we started was to write songs that meant something to us, and we would take those songs and do whatever needed to be done with them. didnвЂ™t really affect our writing and recording process. You know, surprisingly, being on Warner Bros.

With this being your major-label debut, how did that affect your approach creating it? вЂњYou can persevere, or you can give up, and thatвЂ™s kind of the theme of this record: finding hope when the days are dark and finding your way into the light again.вЂќ Gossip succeeds in delivering an inspirational array of tracks that, as a whole, are a natural progression (and successful foray) into the mainstream. What it does deliver is a new soulful confidence best shown on tracks like the acoustic вЂњOne Man ArmyвЂќ and the infectious first single вЂњLegends,вЂќ where Quinn expertly conveys finding the light at the end of the darkest tunnel. Gossip doesnвЂ™t fall in line with the post-hardcore that catapulted the band into the scene, nor does it contain quite as many of Kellin QuinnвЂ™s famous high-pitched runs as fans might expect. The biggest surprise, however, is вЂњWar,вЂќ a gospel-tinged slow jam begging for iPhone flashlights to emerge from a sea of concertgoers, suggesting this is the type of album best heard live. Those with open ears (and minds) will be rewarded with everything from bluesy undertones (вЂњTroubleвЂќ) to pop sensibilities (вЂњGossipвЂќ), while solidifying their rightful place in the rock world (вЂњEmpire To Ashes,вЂќ вЂњCheersвЂќ). Having inked a deal with Warner Bros., the bandвЂ™s major-label debut unsurprisingly explores uncharted territory while remaining true to themselves. Be advised: This is not the Sleeping With Sirens fans have grown accustomed to over the years.

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